Rafferty & Llewellyn and Casey & Catt humorous crime series.



Wednesday, 8 June 2011

LATEST RELEASE ON KINDLE AND SHAMSHWORDS: RELUCTANT QUEEN

Well, I've now uploaded Reluctant Queen to kindle and  will put it up on Smashwords if my sales on there improve. This is my one and only historical. I may write more depending on the response I get.

It tells the story of Mary Rose Tudor, little sister to infamous, much-married, English king, Henry VIII. Here's the blurb and first chapter.

BLURB
Mary, the beautiful, younger sister of English king, Henry VIII, reluctantly agrees to marry the aged and sickly Louis XII of France. But before agreeing, she extracts Henry’s promise that she may please herself for her second marriage. Mary is deeply in love with the low-born Charles Brandon, her brother’s boon companion, and is  determined to wed Brandon should King Louis die.

At the French court, Mary is pursued relentlessly by her aged husband’s debauched heir, Francis.  And with the death of her husband and Francis’s elevation to the French throne and absolute power, her situation becomes desperate. Unprotected, Mary is a captive prey to Francis’s lust for her.

Will she ever be free to go to her lost love? Because since Louis’s death, Mary has become increasingly anxious about the rumours she heard concerning her brother’s plans for her future. Does Henry intend to push her into another loveless marriage to suit himself and the State?

King Henry sends Charles Brandon to the French court on a diplomatic mission. Desperate, Mary persuades him to go through a secret marriage with her.

Then, fearfully, they await Henry’s reaction, aware that no one, not  even his much-loved younger sister, defies him with impunity.

CHAPTER ONE
‘No, I won't marry that feeble, pocky old man.’ Mary Tudor stormed at her brother. For all that twenty-three-year-old Henry was the elder and had for five years been King of England, Mary was determined not to submit to his entreaties.
            ‘Now, sweetheart.’ Henry bent down from his great height and coaxed, ‘You know nothing about him. Louis, the French King may be no young stripling, but they say he's very rich. He'll be kind and loving, I doubt not. You will learn to be fond of him in time.’
            ‘I will not,’ Mary insisted. Louis was old and sickly; fifty-two to her eighteen. The thought of marrying such an old man appalled her. Henry was all sweet reasonableness now, but Mary knew that would soon change if she continued to defy him. Since becoming king, Henry had rapidly grown used to having his own way; he had not sacrificed himself on the marriage market. Instead, a few months after their father’s death, he had speedily married Katherine of Aragon, their brother Arthur’s pretty young widow, ignoring their late father’s advice. It had been a marriage made, at least, in part, for love.
            Mary didn’t see why she should not also marry where she would, as rumour had it their sister Margaret was determined to do. Now nearly twenty-four, Margaret had set her heart on marrying the young and handsome Archibald Douglas, Earl of Angus. Just fourteen, Margaret had married their father’s choice of King James IV of Scotland eleven years earlier, carrying with her the forlorn hope that this marriage alliance would bring to an end the interminable wars between England and Scotland.        Forlorn hope it had proved. For Margaret had been widowed just the previous year when King James had been killed fighting Henry’s army at the battle of Flodden. Mary had no doubt that Henry’s present wish to use her for a similar, unnatural alliance, this time with France, would prove equally fruitless. Had he not been long allied with the Emperor Maximilian and King Ferdinand, the father of Queen Katherine? And although they had had a falling out after Henry had discovered Ferdinand had made a secret truce with the French, Henry would revert to the long-standing Hapsburg alliance in a second, rendering vain her sacrifice in marriage to old King Louis. His naming of Louis as ‘The French King’ rather than the ‘King of France’ was further proof of how unnatural such an alliance would be. Henry considered himself the rightful King of France. He longed for his own Crecy and Agincourt. Only the previous year, he had led his army against the French and had captured Therouanne and Tournai.
            Mary felt she had sacrificed enough for her brother’s ambitions. He had caused her to be spurned by young Prince Charles of Castile, the Emperor’s grandson and Queen Catherine’s nephew, to whom her father had betrothed her six years earlier. Now he wanted to replace this match with one far more distasteful to her.
            But between her brother’s alliance-swapping  Mary had fallen in love, just like her sister. Mary knew that if she wished to copy her sister’s example she must hold out against her brother’s demands. It wouldn’t be easy. But when she thought of the unheroic figure of Louis XII, the old French invalid whom everyone laughed at, her determination to defy Henry grew stronger.
‘You know where my heart lies, Henry,’ she reminded him now. ‘Where it's lain these many months, whilst you've been toying with Castile and its prince.’ Mary's gaze narrowed accusingly. ‘Where's the magnificent dowry jewel they sent our father, but perched in your hat, brother?’
            Henry allowed a scowl break through before he gathered in the reins of his temper and tried more sweet reason. ‘As you say, King Louis is old and sickly and has been for a good long while; any marriage couldn’t be for long. Think of the honours and riches that would be yours and you could be free in a year or less. What's a year when you're only eighteen?’
            ‘No, Henry, I'll not be persuaded.’ Mary smoothed her gown and tried some sweet reason of her own. ‘Surely I could be permitted to please myself, as you did.’
            Henry’s scowl escaped again and he shouted at her. ‘This is foolish talk. I'm a man, Mary and a king. You’re only a princess and princesses must dispose themselves where duty, not the heart, lies.’ Henry’s gaze turned longingly towards the window, for the day was fair. Mary, too, wanted to be out in the warm sunshine instead of cooped up indoors arguing with her brother. She hoped Henry’s love of pleasure and hunting would persuade him to give over trying to browbeat her. But this hope was a vain one. Even as she thought it, Henry dragged his gaze from the window and stared so consideringly at her that Mary realised he was about to try another tactic.
            ‘Do this for me, this once,’ Henry pleaded, ‘and when Louis dies, as he will, and that no doubt right soon, you may choose your own husband afterwards. On this you have my word.’
            Mary stared broodingly at him. Much as she adored this handsome giant of a brother, she had learned to be wary of Henry's promises and this one had a too-ready air about it. But he had given his word on it, she mused. His offer weakened her resolve. Given Henry’s determination to have his own way in all things this might be her best chance to attain her desire and marry Charles Brandon. But the repugnant necessity of first marrying the sickly Louis invaded her mind and would not be ignored.
            Mary’s thoughts turned this way and that while the silence lengthened. How could she bear to let the old French king fondle her, couple with her, when all her senses craved only the touch of Charles Brandon? Yet, it was true that Louis was sickly, liable to die ere long, as Henry claimed. Perhaps his poor health would allow him nothing more intimate than a formal bedding with her for the sake of convention. If she could trust her brother's promise she might soon be able to go to Charles freely. Upset, confused, wishing to be left in peace to consider what she should do, Mary was startled from her reverie by Henry's angry voice.
            ‘What more do you want, Madam? Most girls do not need to be cajoled into marriage. They're told whom they are to marry and they marry them.’
            Henry's handsome face was flushed with a right royal temper and Mary knew he had taken her silence for wilfulness. Now, he towered threateningly over her and for the first time, Mary felt something of that fear that her brother’s rages so easily engendered in others.
            ‘I've been too indulgent towards you, Madam, too easy-going. You'll come to your duty, sister, or perchance, I might have to find a teacher, one not as kindly as I.’
            Mary, with her own goodly share of royal temper, now forgot Henry's promise, his kingly majesty and her own doubts and flung back defiantly at him, ‘Perhaps you should do that, brother, for I'll not wed him else.’ Turning on her heel, Mary fled from the chamber, her steps echoing up the passageway, mingling with the sobs she could no longer hold back.


Thomas Wolsey, the king's almoner, stepped from behind the curtained doorway. ‘That was not well done, Your Grace,’ he chided. ‘Your sister may be a sweet and loving girl, but she has a certain spirit. She should be gentled into agreement, for love of you and for the sake of the French alliance. Chivvying and harrying is not the way with her.’
            The king scowled. But Wolsey, aware that his young king valued honest counsel, was emboldened to continue. ‘With the help of Princess Mary’s friend, Mistress Popincourt, and our obliging French hostage, the Duc de Longueville, we've advanced the match this far; perhaps we should encourage them further. Mistress Popincourt is mighty friendly with your sister. Let her use her soft words at every opportunity. 'Tis my belief, Your Grace, that between her and de Longueville, they'll sway your sister to the match if we make it worth their while. De Longueville is kin to His Majesty, King Louis. He will, I'm sure, be doubly rewarded for providing the old King with such a lovely young bride. He will also get his freedom if he helps to persuade your sister to the match.’
            ‘What of Jane Popincourt?’ Henry asked. ‘What reward for her?’
            Wolsey gave a sly smile. ‘From what I understand, Your Grace, she has had her reward from de Longueville - a tarnished reputation. They have conducted their liaison with little discretion. For her, the gleam of gold will be carrot enough, but no further payment should be necessary. She will, I doubt not, expect to accompany your sister to France, but that is something I would counsel against, Sire. We do not wish your sister's good name to be joined with such a wanton's at the French court.’
            ‘No, indeed. But Mary will expect the girl to accompany her. They've been friends since childhood. If we are to get her agreement to the match it would be wise not to upset her on this matter.’
            Wolsey had already given due thought to the question of Jane Popincourt and as a natural diplomat, he had quickly found the obvious solution. ‘What need is there for us to upset her, Your Grace when others can be persuaded to do it for us? Our Ambassador, Worcester, has only to whisper in King Louis' ear about Popincourt's morals and His Majesty would, I'm sure, see to the rest. Princess Mary is young and innocent; he will want her to stay that way. He admires virtuous behaviour in a woman, so we may surmise that he dislikes the opposite. I think, Sire, we can safely leave King Louis to do our refusing for us.’
            ‘You may be right in what you say, Thomas. It would seem Mistress Popincourt has already led my sister astray, putting romantic notions of love in her head when there should be naught but duty, making her pert and disobedient. I like the idea of Louis banning Mistress Popincourt from accompanying Mary's train. He who makes the rules must also take the blame.’ Henry's amused laugh boomed out. But the laughter was quickly replaced by grim determination, as, with his little eyes narrowed, he vowed, ‘we will try the gentle option first to get Mary's agreement to the match, but if she is still hot against it, we will need to use more ungentle methods.’


Mary raced into her bed-chamber, long, golden hair flying behind her, and threw herself, sobbing, on her bed.
            Lady Guildford, her governess, came up to her, tutting at such unseemly behaviour. Mary’s ‘Mother’ Guildford, in whose charge she had been placed since the death of her own mother, was all calm reason. ‘What's to do, my lady? What's to do? Get up, child, you'll crush your gown.’
            ‘Whatever is the matter, Mary?’
            Through her sobs, Mary heard the concerned voice of her friend, Jane Popincourt, but she didn't answer her. Eventually Mary's sobs subsided and she sat up on the bed, her lovely face a mask of misery.
            ‘Now, madam, will you tell me what ails thee? Have you a pain? I'll send for the physicians.’ Her Mother Guildford bustled to the door, but Mary called her back.
            ‘Nay, mother. This is a pain which no physician can cure.’ She raised her tear-stained face. ‘My brother wishes to wed me to old King Louis of France.’
            ‘Surely he's not looking for another wife?’ Lady Guildford asked. ‘He's buried two already. Besides, 'tis well known he's too old and sickly to get himself any sons.
They say he only clings to life to spite, Francis, his son-in-law.’
            ‘But what riches you would have, Mary,’ Jane cajoled. ‘Think what your trousseau would be for such a marriage. It would make the one for the Castilian match look like a pauper's rags. To be Queen of France - 'tis a magnificent honour for any girl.’ Jane's soft French accent turned the words into a honeyed caress.
            Mary was not to be comforted. Sunk in misery, she caught the look of dislike her Mother Guildford cast towards Jane. But Lady Guildford was a stern and pious woman and thought her worldly friend Jane a bad influence. But then she had been a great friend of Mary's equally pious paternal grandmother, Margaret Beaufort. Together, with her father's sanction, they had ruled the court, over-riding Mary's meek and gentle mother, Elizabeth, whose only duty was the getting of sons. She had done her duty in that as in everything else. Indeed, she had done her duty so well that she had died, worn out from child-bearing, but a short while after giving birth yet again. The baby, Catherine, had also died.
             Fresh tears filled Mary's eyes as she thought of the gentle countenance of her dead mother. Now, apart from Mary, there was only her brother, Henry and her elder sister, Margaret left out of the brood of babes her mother had borne. Her father and grandmother were also long dead.

            The atmosphere at court had changed markedly after her brother Henry had replaced their father as king just before his eighteenth birthday. And although gaiety had not replaced piety – for Henry was devout – there had been so many balls and banquets that it had seemed Henry couldn't run through their father's carefully accumulated wealth quickly enough.
            ‘If you did marry him, my lady, it could not be for long.’ Practical as well as pious, Lady Guildford repeated Henry’s soothing words. ‘An old and sickly man and a young, lively bride is a sure recipe for an early funeral.’
            Although she knew it was sinful, Mary couldn’t help but be cheered a little by this and she asked curiously, ‘Is King Louis very sickly, Mother?’
            Lady Guildford nodded. ‘He’s been sickly these many years. They say he retires to his bed at six of the clock every evening. Even the king's cocks and hens tarry later than His Christian Majesty.’
            ‘My brother seems very keen on this marriage,’ Mary confided. ‘Surely, if he loved me, he could have found a more suitable match for me?’
            ‘Would that someone would arrange such a match for me,’ Jane commented. ‘You'd not find me weeping and thinking on the age of the groom.’
            ‘You'll be lucky to find anyone to marry you, madam,’ Lady Guildford told her tartly. ‘Your indiscretions with the Duc de Longueville are all over the court.’
            Jane gave a careless shrug. ‘What care I? Mary will take me to the French court with her and find me a rich husband.’
            ‘There’s many a noble lady ahead of you in the queue for a rich husband,’ Lady Guildford waspishly reminded her. ‘Why should you think you would be permitted to go to the French court?’ Suspiciously, she demanded, ‘Unless you and de Longueville have been plotting while you indulged your lusts?’
            ‘I don't know what you can mean,’ Jane retorted.
            ‘Do you not? Can it be that you and de Longueville have decided that the best way for him to achieve his desire to return to France is by persuading the king to marry Mary into that country?’
            Mary saw that her Mother Guildford’s shot had hit home. De Longueville had been one of the French nobles captured by her brother’s forces the previous year at Therouanne.In his eagerness to return home had he persuaded her friend Jane to betray her? Mary remained silent while she listened to the continuing exchange.
            ‘A marriage alliance with France would be an ideal way for a prisoner such as de Longueville to return home,’ Lady Guildford continued thoughtfully. ‘Maybe taking his mistress with him into the bargain?’
            Mary found her voice and demanded, ‘Jane, can this be true?’ Mary looked reproachfully at the girl as she saw confirmation on Jane’s face.
            ‘For all your plotting, madam, I doubt you’ll get your way. Do you think King Henry will want his little sister’s name sullied by association with yours?’ Lady Guildford upbraided the unrepentant Jane. ‘And from what I hear of King Louis, he's turned very pious in his old age - he wouldn't countenance any immorality at his court. Or loose women either.’
            Jane shot a look of venom at Lady Guildford, before she flounced from the room. Lady Guildford snorted after the departed Jane before she took a hairbrush and, after bidding Mary to come and sit on a stool set before the glass, she removed her hood and began to smooth the brush through Mary's disordered hair. Waist-length, and golden, it was one of her greatest beauties.
            ‘You know, my lady,’ Mother Guildford remarked, ‘perhaps there is something in what that wanton says about this French marriage.’
            ‘Not you, too, Mother,’ Mary protested. ‘Tis enough that my brother should harry me, without you start-’           
            ‘Hush, child. There are worse fates in this life than marriage to an old man.’ As Lady Guildford smoothed the brush through Mary’s hair, she told her, ‘King Louis divorced his first wife for her ugliness. He couldn't abide her near him. His second, Queen Anne, he was supposed to be fond of, though she was on the plain side too. Do you not think that a young beauty like yourself would fare better than either? He would be ready to fall at your feet if it would please you, I vow, having first decked you in costly rubies and diamonds’
            Despite her fears, Mary smiled to hear the devout Lady Guildford speak so. ‘It is not like you to talk in so worldly a manner, Mother.’
            ‘I can be as worldly as necessary when it is for the good of my little maid. I have taken the place of your mother and grandam, and must think of your best interests, as they would.’
            ‘And would it be in my best interests, think you, to marry a man so old, with creaky joints and gouty limbs? What of love? What of romance?’
            ‘Foolish notions for a princess, as I’m sure your brother told you. Both your mother and grandam married for duty, though I’m not saying love didn’t come. You
should put such thoughts out of your head for I know none of high rank who were permitted to marry for love.’
            Mary, about to remind her of the love-match that had formed the basis of her own Tudor dynasty, remained silent as she recollected how that love-match had ending. The marriage between Catherine, Henry V’s young French widow and her own paternal great grandsire, Owen Tudor, the Welsh gentleman of her guard, had been a secret one, ending in tragedy with Owen eventually clapped into prison and Catherine forced to retire to a convent where she had died at an early age. Such was not the future Mary wanted for herself and Charles Brandon. So, although she brooded, Mary said nothing when her Mother Guildford told her she would submit to her duty, as many before her had submitted and that her brother, for all his gay charm, would see to it that she did so.
            Mary knew it was useless to speak to her Mother Guildford of love and passion. Like Henry, it was clear she thought the match an excellent one. But Lady Guildford was old. Piety was her passion. And neither she nor Henry would have to endure King Louis' shameful fumblings. Beneath her lowered lids, Mary's blue eyes darkened. But as Lady Guildford continued to pull the silver-backed brush through her silken hair, Mary's mind quietened. And as thoughts of the future were so distasteful, she cast her mind backwards, to the carefree days of her childhood at Eltham which she and Henry had shared; their sister, Margaret, long married and in Scotland and Arthur, Prince of Wales, in his own establishment. Henry, as second son, had been destined for the church until Arthur's early death altered his prospects. Mary had always found it impossible to imagine her tall, adored, handsome brother a man of the cloth. He exuded too much of the love of life and its many pleasures for that. Henry had basked in her adoration and loved her the more for it, far more than he had ever loved their elder sister, Margaret, who, once betrothal to King James of Scotland, had delighted in queening it over them.
            Mary wished she could remember more of her mother; but she had died shortly before Mary’s seventh birthday and all she had was an impression of soft arms and a gentle voice crooning lullabies. Her father, a thin, solemn man with a careworn face, she could remember more clearly. He had arranged the ‘great match’ for her with the young Prince of Castile. She could still remember the betrothal ceremony held at Greenwich with the great throng of nobles and clerics.Her betrothed, or more probably his grandsire, had sent her the brilliant jewel in the form of the letter ‘K’ for Karolus, made of diamonds and pearls, which Henry now wore in his hat. She had been proud of the jewel and had loved to show it off. It had an inscription on it, which, with childish notions of love, she had taken to her heart - 'Maria had chosen the good part, which should not be taken from her.'
            But it had been taken from her. The marriage had been due to be finalised this year, despite her lately wayward-leaning heart. Her father had paid her dowry of 50,000 crowns, but had cautiously demanded a pawn for the money. Mary could still remember his delight when his demand had been met and a magnificent cluster of diamonds worth twice the dowry sum had been sent. But then her father had died. And although he had left her her dowry, in the form of the diamond cluster, when he had become king Henry had taken a great fancy to the jewel and refused to part with it. Mary had been left with nothing, not even her Castilian Prince who had repudiated her after many months of wrangling and recriminations.
            And now her brother proposed another, even grander, match for her. But Mary's taste for grand marriages had turned to ashes. She had only to look at those of Katherine and her sister, Margaret, to know they often brought misery and humiliation in their wake. Had not Katherine, Henry’s queen, suffered near-destitution for seven years after the death of her first husband, Arthur? Her misery only alleviated when Henry became king and married her. Owing to her faithless husband’s ‘fatal weakness for women’ Margaret’s marital humiliations had been without number. Such memories strengthened Mary’s resolve to marry Charles Brandon. She wanted only to live in peace with her beloved. She must find Charles and persuade him to declare himself. Surely Henry, who could be sentimental, would relent when he realised how great was the love of his sister and his bosom friend.
                Before, caution had made Charles reluctant to claim Mary’s hand, but the time for caution was past. Unless he wanted to lose her to old Louis, he must speak out. She must find the words to persuade him to it. The alternative didn’t bear thinking about.

Here's the link to my amazon page for anyone who's interested in buying the book.

 

Sunday, 29 May 2011

DEAD BEFORE MORNING HITS TOP TEN IN POLICE PROCEDURALS BESTSELLERS!

It's happened! DeadBbefore Morning has come in at Number 10 on Amazon Kindle UK Police Procedurals Bestsellers!


In fact, all four of the books I have up on kindle are in the Top 100 and come in at Numbers 38 (Down Among the Dead Men), Number 51 (The Hanging Tree) and Number 68 (Death Line), respectively.

Rreason to celelbrate!

I have also discovered the secret to getting your books to show up in their correct listing. I assumed before, that books automatically showed up in order of highest sales. Not that simple. You have to click on kindle Store (lefthanfdside, directly under Shop all Departments), then Kindle Bestsellers (lhs down a bit, under Special Features) for them to show up that way. Otherwise they just seem to show up in any order at all. Which explains why amazon had me scratching my head about my listings.

I mean, I know that Dead Before Morning is my bestseller. What I didn't understand was why it didn't always get listed that way. Now I know why. I wasn't inputting the information required to get the correct answers out. Duh!

Here it is!


Looking good!






Wednesday, 25 May 2011

CRIME FICTION: CREATING A CRIME SERIES 3 OF 3



When I left you last time I was about to reveal what location I had chosen for my Rafferty and Llewellyn mystery series and why I chose it. I’ll start off by saying that I felt there was only one place I could use as a setting for such a character as working-class DI Joe Rafferty and his 'bargain' loving family. Essex. Anyone reading this who isn’t British will understand why it should seem his natural habitat after reading the following.

The Brits out there will all have heard of the ‘ Essex Man’ euphemism as a term for people who are stupid and common with criminal tendencies. Politically incorrect it may be, yet it’s stuck.

You may recall some of the ‘Essex’ jokes that were popular some years ago. Jokes like:

Q         what’s the difference between Essex and Mars?
A          there might be intelligent life on Mars

Or

Q         what is an Essex girl’s idea of a really classy meal?
A          a wooden chip fork with her takeaway.

Get the picture?

But, unlike the stereotyped depiction of the working classes in ‘Essex’ jokes and many of the older British crime novels, as chip-eating, adenoidal and terminally stupid, I wanted to show that there is intelligent life, Not only in Essex, but among the working classes themselves.

As far removed from the intellectual, Sherlock Holmes type of sleuth as it’s possible to be, Rafferty is a typical down-to-earth British copper. Okay, he’s not exactly deeply intellectual or highbrow, but intelligence, like most things, comes in different guises. His working-class background has given him a street-wisdom of a kind that’s often far more valuable in police work than the more academic intelligence. And with a family attuned to picking up ‘bargains’ of the dubious sort or to getting into bother of the criminal sort, he’s often thankful for this street-wisdom which helps get him out from under.

Anyway, all this furious thinking produced Dead Before Morning, a crime novel which features a prostitute bludgeoned beyond recognition, a suave, social-climbing doctor and an idle hospital porter who had, like Del Boy Trotter from Only Fools and Horses fame,  a few ‘nice little earners’ of his own.

In this first novel, Rafferty has just been promoted to the rank of inspector in the CID (Criminal Investigation Department, the plain clothes branch). His beat is Elmhurst, a fictitious town based on Colchester in Essex, the old Roman town where that original ‘Essex Girl’, Boadicea, used to hang out and harry the centurions.

Apart from Rafferty’s working-class background and his family’s teeny weeny tendency to dishonesty, there was another reason why I chose to locate him in Essex.And that was that Essex has lots of interesting historical connections. Many of the towns and villages in Essex are associated with the early settlers in America. And, because of its port links, the entire area Has always been close to the religious dissent stemming from Europe.

A bit of a dissenter himself, having been force-fed Catholicism from the cradle, Rafferty is against religion of any persuasion as a matter of principle. So it’s no wonder he feels at home in an area with such strong dissenting traditions.

Whatever the critics made of it, I must have done something right, because on only its second outing, that first Rafferty and Llewellyn crime novel was taken from Macmillan’s slush pile and published. It was also published in hardback and paperback in the States. In December, I also published it as an ebook.

I took a chance and did it my way when I created that first Rafferty and Llewellyn novel but it paid off. I’m now an established author from being a no-nope nobody whose formal education ended at the age of sixteen. It just shows what a bit of determination can do.

You can see now, I hope, how one decision about a character helps you make other decisions, not only about the lead character himself, but also about the other characters who will populate your series. And about where in the world they’re going to play out their roles.

To help me keep details of streets, pubs, etc, I drew my own detailed map. Which is something you might perhaps consider doing. It certainly saves a feverish hunt through an entire previous book or typescript trying to find where such and such a pub was situated. Or even what it was called. You can base it on somewhere real if you like. As I have said, my fictitious town, Elmhurst, is roughly based on Colchester in Essex. I have taken some elements of the town, like the castle and made up others. Now I’m not even sure what is real and what is made up! It’s all got so woven together.

You will understand from all this that my Rafferty books have a strong vein of humour running through them.

Now, strongly humorous crime novels are not to everyone’s taste. This sort of crime novel isn’t always highly regarded by critics.

But this was my book and this was how I wanted to write it. And given the perennial difficulties in the publishing world, it’s something to say that rather than making thecommon mistake of following either the herd or a fading trend - I did it my way - and actually got published.

The choice is yours. Do you want to be ‘original’ and do your own thing? Or do you want to be the same as what has gone before?

One of the reasons I write the kind of crime novel I do is that my mind has a natural tendency to see the humour in a situation. Especially a situation that contains a large dollop of Sod’s Law’. In Rafferty’s – and my- experience – Sod’s Law really does Rool OK.

Maybe your experiences are the same. If so, why fight it? In the end you have to be true to yourself.

Dead Before Morning, that first novel in the Rafferty and Llewellyn mystery series, was published in 1993. Altogether, I’ve had eighteen novels published with another just finished, seventeen of them crime, fourteen in my Rafferty & Llewellyn series and two in my Casey & Catt series.

Yes, there have been disappointments along the way, but that’s part of the life of the average writer. And the disappointments make the good times so much sweeter.

Who knows, if I hadn’t done it ‘My Way’ back when I created my first Rafferty novel, the publication of all my other novels might never have happened

I wrote the kind of book I liked to read. The kind where the writer makes me laugh, makes me cry, makes me wait, even, but most of all makes me care about the characters. Admittedly, that’s just my preference. You might prefer your crime novels to concentrate firmly on stimulating the brain rather than the funny bone. But i didn’t see any reason not to try to do both.

This approach provided the bonus that I had far more fun with Rafferty than I imagine the more high-minded writers have with their characters.

And writing is meant to be fun, isn’t it? It’s meant to be enjoyable. If it isn’t why do it?  After all those dead-end jobs I mentioned in my first post I was determined that I would end up doing something I liked.

There’s no reason why, just like me, you shouldn’t ‘do your own thing’ and attract a publisher who goes ‘mm. This is different.’

So, go and have fun. And give me another crime novel that provides the occasional chuckle. If you do you’ll be guaranteed one fan.

Oh. I forgot to tell you how to commit the perfect murder as I promised in the first post of this three-parter. First you –

Oh! Darn it.  Look at the time. I must fly! Till next time.

Saturday, 21 May 2011

CRIME WRITING: CREATING A CRIME SERIES 2 OF 3 POSTS

I said this post would be about sidekicks, so here goes. It’s also about this sidekick’s effect on my main character.

As I said in my last post, my main character, Detective Inspector Joseph Rafferty, is an Irish Catholic, working-class man who comes from a large family. A family who are into buying bargains of dubious origin and other pursuits of questionable legality. And Rafferty’s ma, Kitty Rafferty, often leads the field in these pursuits. So, as a sidekick, I wanted someone who was Rafferty’s polar opposite. Opposites always provide conflict. A genuine conflict, stemming from character and upbringing.

So Dafyd Llewellyn was born. The intellectual, university-educated, only child of a welsh Methodist minister who thought the law should apply to everyone – even the mothers of detective inspectors!

Llewellyn is a sidekick preordained from birth to look with a jaundiced eye on Rafferty’s outlook on life, his theories and conduct of cases, and his less than law-abiding family. Thank god i spend all my time in Rafferty’s head!

Dafyd Llewellyn is an upright man, with morals as high as an elephant’s eye. Certainly he’s not the type to turn a blind eye to ma Rafferty’s love of illicit bargains should it ever come to light. Which gives Rafferty something else to worry about.

The words duty and responsibility feature strongly in Llewellyn’s life, though his character is leavened with a sense of humour so dry Rafferty isn’t sure it exists at all.

Unlike Rafferty, Llewellyn likes to examine the facts of a case immediately rather than going off on flights of fancy.

Llewellyn has a tendency to run a coach and horses through Rafferty’s favourite theories, which are often outlandish, outrageous and tend to indulge his various prejudices to the full. Rafferty, of course, thinks the more politically correct Llewellyn takes all the fun out of police work. What’s the point, he thinks, of having the usual working-class prejudices, if you don’t occasionally indulge them. Besides, it’s amusing to tease Llewellyn, who needs taking down a peg or two.

You could say the pairing epitomises the famous George Bernard Shaw saying, with which i shall take a bit of artistic licence. You know the one:

‘it is impossible for a Brit to open his mouth without making some other Brit despise him.’

Yet before the end of Dead Before Morning, the first book in my fifteen-strong mystery series, they have learned to more or less rub along together, helped by both Rafferty’s overactive Catholic conscience, and Llewellyn’s stern, Methodist moral code. As the series and the cases progress, so does their relationship.

Once i had the basics of Rafferty, his family and his sidekick sorted out, I had to place Rafferty in his environment. And after all I’ve said about his background, Ii felt there was only one place i could use as a setting for such a character.

But this, Location, is the subject for the third and last part of this three-parter.

Tuesday, 17 May 2011

CRIME WRITING: THE CREATION A CRIME SERIES 1 OF 3 POSTS


Psst! Do you want a few tips on how to commit the perfect murder? You do? Ok. But, before asking my advice on planning the despatch of your mother-in-law, you’ll probably want to know why I can help you avoid having your collar felt. Stick with me till I’ve outlined the background to how I acquired such esoteric skills.

I come from an Irish Catholic working-class background and I suppose you could say I was one of life’s late developers in the area of personal ambition. I certainly had no idea what a criminal direction I would end up in. Killing people – and getting away with it, was far in the future.

When I took my the examination, at the age of eleven, which would decide my educational future, I confess, I was far more interested in winning Jimmy Smith’s prize 4-er marble than I was in taking tests. Darlings –I won the marble… but failed the 11+. Examination.

So it was off to secondary modern for me.  For those who don’t know, secondary modern existed to teach people the basics of reading, writing and arithmetic and then send them out in the world at fifteen or sixteen to have jobs rather than careers. So I wasn’t off to a good start in my life.

Unsurprisingly, after I left school at 16, a long list of dead-end jobs followed. I won’t bore you with a litany of them. But, somewhere along the way, i found ambition. I realised that i wanted to do something with my life, rather than fritter it away.

I’d always been a keen reader, so trying to become a published writer seemed a natural step on the road. Oh boy! Was I in for a shock!

I first started writing in my early twenties, but I never finished anything. I was an amateur. A rank amateur. I knew nothing about research. Nothing about creating characters or plot. I hadn’t a clue, basically.

But hitting the age of thirty concentrated the mind wonderfully and gradually, I learned how to write novels and finish them. It was a long apprenticeship. Apart from what had gone before, from the age of thirty I wrote a book a year for six years before I achieved publication.  That book was a romance called Land of Dreams and set in the Canadian Arctic (don’t ask!). But after that brief brush with success, it was back to rejection alley.

By then i was pretty fed up. Nobody likes being repeatedly rejected. My ‘stuff you’ mentality came into play. I felt like murdering someone. So I did.

I turned to crime. I’ve done them all. Stabbings, poisonings, smotherings, bludgeonings. You name it and I ’ve done it. I’ve even hanged someone, but that was after they were dead.

The first book in a crime series is, I believe, the most difficult and demanding. You not only have to master the problems of plotting, clue laying and red-herring scattering and learn about police and forensic procedures, at the same time you have to create a cast of characters who are capable of supporting a series. A pretty tall order for a first effort in a genre I think you’ll agree.

There must be many neophyte writers who have fallen by the wayside in attempting to write crime novels. I might have been one of them if I hadn’t decided to do my own thing rather than follow the crowd.

Maybe the word originality explains why so many fail. That single word strikes terror into the hearts of a lot of new crime writers. I know it did mine.

After a writing history of five rejected romantic novels followed by the publication of the sixth, as well as the publication of various articles, the writing of a crime novel seemed not only much more demanding than anything I’d tackled before, but also extremely intimidating.

Just thinking of all those crime writers who are regularly praised for their devilish ingenuity, god-like intellect and masterly characterisation was enough to have more ordinary mortals, like me, quaking in their boots at the thought of trying to emulate them.

So, how on earth do you set about creating an original crime series? All I can tell you is how I went about it.

I suppose you could describe the Rafferty and Llewellyn mystery novels, which form my first series, as Inspector Frost meets Del Boy Trotter and family. For those who don’t watch British TV, Inspector Frost is something of a bumbler who’s anti-authority, but he’s smart enough to get his man. And Del Boy Trotter is a market trader (market stall not the stock market), who’s into buying dodgy gear. He’s working-class and a bit of a ducker and diver, but witty with it. So if you’re looking for the intellectual, Sherlock Holmes, type of crime novel – steer well clear! Though, having said that, I had one reviewer who likened me to Holmes.

 In short, the Rafferty family has more than their share of ‘Del Boy Trotter types’ whose leisure-time activities are far from Adam Dalgliesh and his poetry writing or Morse and his Wagner. The Rafferty family pursuits are nothing so refined. They’re into back-of-a-lorry bargains and other diversions of equally questionable legality.

And Rafferty’s ma ,Kitty Rafferty, often leads the field in such pursuits, using emotional blackmail to make Rafferty feel guilty when he upbraids her. Having far more than her share of blarney stone baloney, she always wins these little arguments.

Given the above, don’t restrict yourself to what you  think are the usual sort of police characters if something else would come more naturally to you.  Like me with Detective Inspector Joseph Rafferty and his back of a lorry family – try to find the main character that’s right for you.

To get back to this business of originality for a moment, I think we can all agree that being original is a tricky business. A book that one person considers a true original might be thought of as over the top by another. While a third person might consider your hard won originality is nothing more than a poor copy of a well-known writer’s style that’s been given a bit of a twist.

So, originality’s a pretty moveable feast. Publishers themselves are often a bit vague when they try to define what they’re looking for. But, even if they can’t tell you what they want, they find it easier to tell you what they don’t want.

No editor is going to be impressed by a writer who’s a copycat. For one thing, it’ll put the publisher in danger of being sued. So - no second rate plagiarism.

Okay, so where do you start? You start by asking
yourself a few pertinent questions.  About yourself, your background, your family, warts and all and then maybe oomph it up a bit.

Maybe, like British Prime Minister John Major, your family has a circus or funfair background? Maybe you could have a sort of Gypsy Rose Lee type in there somewhere? A travelling crook detector with her crystal ball ever at the ready! Outlandish, perhaps, but then wacky might be just your thing.

Or maybe your working background’s a little more conservative? In insurance, for instance.
An insurance investigator could get to look into a lot of suspicious deaths. And he doesn’t have to be your average stereotypical insurance worker, whatever that is.

Maybe he desperately wants to get out of the insurance business and into the world of entertainment. An insurance investigator as comedian, perhaps, given to cracking tasteless jokes at the crime scene. A man who’s learned to judge the witnesses as he would judge an audience.

They’re just a couple of ideas to get you thinking. Feel free to use them. Or not!

To get back to me, and the choices I made when I was creating my crime series. I decided on the surname Rafferty because I wanted his name to suggest someone who was a bit of a scruff – a rough Rafferty, in fact.  I chose the name Llewellyn for his sidekick because i wanted to give the suggestion of royalty.

In Dead Before Morning, the first in tis fifteen-strong mystery series, alongside the main story runs a humorous sub-plot, in which Rafferty is ensnared in the first of the series’ many family-induced problems. I’ve just finished Kith and Kill, my fifteenth in the series, and, like the previous fourteen, it has Rafferty embroiled in more trouble than a Victorian lady of the night sans the morning after pill.

To return to similarities, I thought if Rafferty shared class and education with me he might as well have other elements of similarity. Why not? Other writers do. Would a non—classical music lover have created Morse? Would someone who knows little and cares less about poetry have created the poetry writing Adam Dalgliesh? Well, possibly, i suppose. But it’s far more sensible to make use of elements from your own life.

I wanted a character I could empathise with. One who was as near me as I could get. Believe me, it helps! (even though I’m not a man, I made Rafferty male because I felt the relationship with his ma was important and I felt, rightly or wrongly, that there would be more scope for humour with a male main character).

And with that first crime novel you’ll have enough trouble creating a plot that conceals as it reveals, with coming up with clues, red herrings, a satisfying denouement and the rest. You won’t need to increase your difficulties by having a lead character from a totally different social background from yourself as well.

My background is Irish-Catholic working-class. So is Rafferty’s. I was educated (sic) in a Roman Catholic secondary modern. So was Rafferty. I come from a large family. So does Rafferty.

There are a few differences, of course. Apart from the differences in gender. But the basic elements of similarity are there, which all help to give the writer a ‘feel’ for a character and their background, something I regarded as essential when I hoped to carry him through a series of novels.

There are a lot of working class policemen out there – just like Rafferty – who have risen up the ranks, perhaps leaving behind them the less savoury habits of youth and family. Often, they’ll have had to shed or at least conceal, certain aspects of their character: prejudices of one sort or another, for instance. Or, like Rafferty, a family with a love of dubious ‘bargains’.

But just because our policeman character has found it necessary to change doesn’t mean to say his family would be so obliging as to do likewise. He would have parents, siblings, nephews, nieces and so on, all with their own ideas of what constitutes right and wrong. And all beyond the lead character’s influence or control.

Imagine such a family. They’d be only too likely to embarrass your lead character.

Now, i know we’re talking fictional policemen here, but just think again for a moment, of John Major and his family. Of Terry and Pat and the trapeze-artist, gnome-loving father. Nothing criminal there, of course. But still, what ammunition they provided his enemies – of whatever political persuasion. He must have often wished he had been an only, lonely orphan. Rafferty often wishes the same!

It doesn’t take a major (go on – groan!) Leap of the imagination to see that a policeman, in a position of authority, with the need to be seen to uphold the law can easily be embarrassed by a less than honest family. He could even have his career put at risk by them.

I was well into my stride now and decided that if Rafferty was going to be working class like me he might as well have other elements of ‘me’ – it not only makes life easier, it also helps me relate to the main character and to the past which has helped to shape him

But in order to have a ‘past’, he’s got to have memories. And the best memories, from the point of view of believability, are one’s own memories.

Which is something else you might perhaps care to bear in mind if and when you start creating your own mystery series.

I’ll give you an example.

In Down Among The Dead Men, the second in the series, I had Rafferty reveal – just as I remember doing – that as a schoolchild he and his classmates would attend Friday afternoon Benediction at the local Catholic Church and sing Latin hymns without – as they had never been taught any Latin – having a clue what they were singing about.

Not much, perhaps, in the broad sweep of a novel, but it’s little touches like that which help to bring a character to life. Which perhaps helps a reader to identify with them, to the point of saying, ‘yes. I remember doing that.’ it helps to make it all more real.

Once i had Rafferty down on paper, i gave a lot of thought to his sidekick. But that’s for the second in my three-parter posts. So tune in next time!

Sunday, 1 May 2011

WRITING WORKSHOP FROM AMERICAN SUSPENSE AUTHOR MICHAEL MURPHY


American suspense author Michael Murphy is back today for a second guest post. He is going to give a writing workshop, based on his class You Too Can Write a Nove. Here's Michael:

Six tips to get you started, keep you going and finish a novel.

What’s the most common statement I get when people learn I’ve had seven novels published?   “I’ve always wanted to write a novel, but I could never do it.”

People who love to write often conclude they don’t have what it takes to write a seventy-thousand word (or more) novel.  I tell them what I’ve learned from becoming a novelist.

The basic component of a novel is not a sentence or paragraph. The basic component is a scene.  In school teachers often gave assignments to write a five-hundred word theme. We got through it right?  If you can write a five hundred-word theme, you can write a five hundred word scene. If you can write three or four scenes, you can write a chapter. If you can write a chapter, you can write twenty or more.  If you can write twenty chapters, you can write a seventy thousand word novel!

What else have I learned?  I learned six tips that work for me and many others I’ve met, W-R-I-T-E-S.  If you keep these tips posted somewhere near your computer, they’ll help you get started and keep going until you finish a novel.

W- Write your novel with an end in mind, but give your characters room to grow. 

R-   Rake your characters over the coals of extreme personal and professional conflict.

I-   Ignore advice to write what you know.  Write the type of novel you love to read.

T- Take your reader to exotic locations or scary places you’d never go yourself.

E-  Edit later, outline later, take writing classes later. Just get started.

S-  Start with a bang.  Grab the reader in the beginning and don’t let go. The most important line of your novel is the first. Make it memorable.  Librarian Nancy Pearl once said, “I think when you read a good first line, it’s like falling in love.

 These six steps will help you get started.  But often a novel will sag a third of the way through.  The writer might get stuck wondering what direction the story should go. Some writers give up and never finish. How do you keep going?  There are two things to remember that will keep you going, every scene needs conflict and emotion. 

Conflict and emotion drive plot. Emotion will occur if your characters have to deal with conflict. If your scene lacks conflict it will lack sufficient emotion to keep your reader reading.  If your scene lacks conflict, throw it out and write a new scene.

 If your manuscript sags at any point in your novel, analyze the source of the conflict then add to your main character’s personal and professional conflict.  Conflict and emotion, they will keep you going until the end.

 You can do it. Get started. Until you write the following two words, you’ll never write a novel:

Chapter One.

Michael's Bio:
In addition to being a full time writer, Michael Murphy is a part time urban chicken rancher. He and his wife make their home in Arizona with their two cats, four dogs and five chickens. He enjoys writing mystery and suspense novels with twists and turns and splashes of humor.  Scorpion Bay is his seventh novel.  

Here are Michael's links again. Two Amazon links, for paperback and Kindle:



Michael's website: www.mjmurphy.com


Here are a couple of reviews of Scorpion Bay

'Strap yourself in and get ready for plenty of action, suspense, crime, corruption, a touch of romance and comedy. Include a high tech motorcycle, our hero in a black disguise to hide his identity along with designer drugs, intrigue and danger on a luxury yacht on Scorpion Bay. Michael Murphy shares the map to fast paced intrigue with three dimensional characters and a great story line that will keep you involved and wanting more until the last page.'
Nikki Leigh, award winning fiction and non fiction author.

"Part thriller, part romance, part comedy, part mystery and all satisfying; Scorpion Bay is an impossible book to put down. Prepare to burn the midnight oil with this one, rooting for Parker Knight as Murphy carefully unravels the plot on the very last word."
Alisha Paige, author of Circle City: Lord of the Wolfen--coming soon.

Thank you Michael. I'm sure your readers will have found your advice helpful and it will prod them to actually get started, go on and finish that book.

Wednesday, 27 April 2011

COMING ON MONDAY: WRITING WORKSHOP FROM AUTHOR MICHAEL MURPHY

I hosted American suspense author Michael Murphy a few posts ago when I introduced him and his latest novel Scorpion bay. He'll be back on Monday 2 May with a follow-up based on his Writers' Workshop: You Too Can Write a Novel.

So, if you're interested in writing a novel, but are in despair about actually getting the thing finished, tune in here on Monday for Michael's wise words on the subject.

In the meantime, why not take another look at his books and his website, so you know a little more about him.

Michael's Bio:
In addition to being a full time writer, Michael Murphy is a part time urban chicken rancher. He and his wife make their home in Arizona with their two cats, four dogs and five chickens. He enjoys writing mystery and suspense novels with twists and turns and splashes of humor.  Scorpion Bay is his seventh novel.  

Here are two Amazon links, for paperback and Kindle:



Michael's website: www.mjmurphy.com


Here are a couple of reviews of Scorpion Bay

'Strap yourself in and get ready for plenty of action, suspense, crime, corruption, a touch of romance and comedy. Include a high tech motorcycle, our hero in a black disguise to hide his identity along with designer drugs, intrigue and danger on a luxury yacht on Scorpion Bay. Michael Murphy shares the map to fast paced intrigue with three dimensional characters and a great story line that will keep you involved and wanting more until the last page.'
Nikki Leigh, award winning fiction and non fiction author.

"Part thriller, part romance, part comedy, part mystery and all satisfying; Scorpion Bay is an impossible book to put down. Prepare to burn the midnight oil with this one, rooting for Parker Knight as Murphy carefully unravels the plot on the very last word."
Alisha Paige, author of Circle City: Lord of the Wolfen--coming soon.